이 글의 OST: 가수 Eric B. and Rakim의 ‘Move the Crowd’
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THIS POST’S SOUNDTRACK: Eric B. and Rakim’s’ classic “Move the Crowd”
(Hit play and read the post.)
그 파티는 어땠냐고? 지금 너무 피곤해서 제대로 글을 준비하기 힘든 건데 예고편만 드릴게요. 포샵으로 만질 사진들이 너무 많고, 생각할 것들도 너무 많아요. 다음에, 다음에.
So how was the party, you ask? I’m too tired to do a real post, but will give you a preview here. There are too many pictures to look through, too much to process.
한마디로 말하면 존나 좋았지! Cut Chemist는 제대로 믹싱했고 관객들이랑 너무 친절하게 지냈어요. 나와서 관객들의 목소리를 녹음하고 그 샘플을 리믹싱 했네요. 역시 재능이 있는 사람이네.
In short, it was doper than a smoker on payday, fresher than a lemoned up lime. The Cut Chemist dropped mad science and got friendly with the crowd.
역시 Steve Aoki도 진짜 관객의 참여를 좋아하는 거네요. 아니. 연기자의 참여아닌가요? ㅋㅋ
Steve Aoki is also big on audience participation. He really throws himself into his work. Actually, wouldn’t this be better called “performer participation?” Hehe.
책에다가 사인해주고…
And he signed autographs on books…
음 가슴에다가도 사인…ㅋㅋ
And on, umm, boobies…
일단 역시 관객들이 음악에 넋을 완전히 잃었어요.
And he definitely kept the crowd entranced.
지금은 너무 피곤해서 다시 자야 되겠어. 근데 Riskei House에계 진짜로 고맙다는 것을 전하고 싶고 파티를 정말 잘 준비한 거예요. 근데 지금은 자료가 너무 많아서 다음에 정리해서 긴 글을 올릴께요!
Right now, I’m too tired — I gotta go back to bed. I do want to thank Riskei House for putting on a kickass event. Much, much more on this later!
Share This! 퍼주세요!!!
new trend?
But yeah. Another “Oh, Korea” moment. ><
Great pictures. What lens and lighting did you use in such a dark setting?
Believe it or not, I used the same lens as you bought a while ago — the Canon 10-22 EF-S. In such a setting, it’s VERY dark, but the thing about club photography is that you get occasional bursts of light, making everything super bright. Basically, I shoot at 800 or 1600 (although I try not to shoot 1600 as much as possible) and use a powerful flash — the 580 EX.
The trick is to use an external power pack for the flash, which keeps me going for an entire night with barely a hiccup. The external flash battery pack is the key for lots of flash shooting with no interruption.
Still, even though the 10-22 isn’t the brightest lens, I need the width. Makes for a lot higher ratio of missed shots, though, so you have to shoot a lot. For that night, I got a 4gig card, and am going to get another one. Strangely enough, I think that high hit/miss ration pushes me to be a bit more careful and concentrate more, like back in the film days, which weren’t too long ago for me. You can’t just point-and-shoot in an environment like that and constantly need to be thinking in order to pull off any kind of decent shots.
People ask me why I’m doing so much club shooting these days, and besides the obvious answers of it being free, there being lots of girls, and also that club kids tend to be the most fashion-forward and the setters of trends, photographically, it’s one of the most technically challenging photographic situations I can put myself in these days.